salome's nonchalance par florian liber, peinture exposée à côté de Picasso, Miro, Riopelle (Galerie d'arts Contemporains, sept. 2004); voir la couverture de la revue DIRE (art et culrture, printemps 2005) imprimé à côté de Henri Matisse
You will discover an original artist, continuously opened to the external world. Studying at the master, to the University of Montreal,Faculty of Arts,Florian LIBER is an artist of European tradition which was formed in the field of the contemporary art of Masters in Milan,in Lyon.His talent includes as well painting as the sculpture.His artistic works were exposed to Japan,in Italy, in France,in Canada...beside PICASSO, MIRO, APPEL, RIOPELLE
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Objectified body,(The)
Florian Liber’s body representations are primitives with ritual energy. Layering color near color, he paints suddenly, emptying his emotions and feelings onto canvas. He leaves graphic marks, drips of paint, scratches and scribbles as evidence of the physical act of painting. Contemporary subjects are explored using the raw emotion of archaic processes to create a sense of uniqueness.
You will discover an original artist, continuously opened to the external world, who has multiplied his artistic experiments. Florian LIBER is an artist of European tradition which was formed in the field of the Viennese contemporary and modern art. Its artistic works were exposed to Japan, Italy, France, Canada… beside PICASSO, MIRO, APPEL, RIOPELLE (Sam Borenstein, curator, Montréal) – see “Montreal Hour/ Visual Arts” Sept-Oct 2004.
http://www.hour.ca/visualarts/venue.aspx?iIDSalle=538
We have an appointment with an analyst of social psychology regarding the actual metropolitan life. (On April 30, 2004, “Le Devoir”, Montreal)
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Flori(a)n Liber is a visual and media artist. He completed his master degree in Media Communication at University of Montreal.
Consequently, Liber’s praxis tests the limits of an aesthetic theory of performance that rests upon the exclusion of any “machinelike technicity.” The “body” in this case is not the represented body (e.g. the figure of the dancer in Liber’s digital video “performance,” Human Body Dismemberment), but the transcoded body, the body inscribed in and by a metamorphic algorithm (“le code plastique et gestuel”). It is a programmatic apparatus, or what, in French, may be described as an écriture au corps: a body of writing and an embodied writing. And it is in accordance with a technics of writing, of inscription and circumscription, but equally of gesture, that Liber’s quasi-analytic “dismemberment” brings into question what Derrida has termed the “inherited, ossified, simplified opposition between technē and physis” – that is to say, between technology and nature, the organic, the auto-mobile and self-sufficient. In turn, this questioning implies a further examination of the opposition between the whole and the fragment, the living body and the dead, already rendered ambivalent in Plato’s treatment of the body as sōma. Echoing Artaud’s conception of a corps sans organs and Victor Tausk’s machine à influencer, Liber’s experiment in performative dismemberment deconstructs the human/non-human dichotomy and treats the “body” as a discursive, informatic topology which does not point towards a “post” human condition but rather to a “prosthesis at the origin” of the human as such. In this way we are presented with what amounts to an attempt at an “enactment” of a critique. (in Towards A New Aesthetics, by Louis Armand and Brian Rosebury, ISSN 0862-8424, December 2006).
VISION URBAINE/ NONCHALANCE DE SALOME 2004
VISION URBAINE/ NONCHALANCE DE SALOME 2004
Winner and Personality, Art and Culture 2005
Nonchalance de Salomé, acrylique sur toile, Florian LIBER
Ce tableau a été exposé à Montréal, en septembre 2004
work in progress
Nuit Blanche sur Tableau Noir, Montréal 2006
Street Painting Performance NBTN, Montréal 2006
CLONING STRATA. ULTIMATE BODY ATAVISM
The contrasting binarism between ultimate disembodiment on the one hand and the return to the fleshy body on the other coincides with the dichotomous boundary between technology and biology accelerating the emergence of unprecedented entities. (L.Parisi)
“I am defining corporealization as the interactions of humans and nonhumans in the distributed, heterogenous work processes of technoscience. The nonhumans are both those made by humans, for example, machines and other tools, and those occurring independantly of human manufacture. The work processes result in specific material-semiotic bodies--or natural-technical objects of knowledge and practice--such as cells, molecules, genes, organisms, viruses, ecosystems, and the like. . . . The bodies are perfectly ‘real.’ and nothing about corporealization is ‘merely’ fiction. But corporealization is tropic and historically specific at every layer of its tissues .”(E. Thacker, Bioinformatic Corporealizations )
Florian LIBER, University of Montreal
M.Sc. in Media Communication
http://www.clonestrata.blogspot.com
Drawing and New Technology Art, Montreal 2006
Paysages Éphémères 2007, Montreal - Finaliste 2006
Démembrement du corps humain 2.1
proposé par : Florin Liber
http://www.mont-royal.net/concours_photos.php?module=5&page=156
Paysages Éphémères 2007,
volet concours
Maison de la Culture
Côte-des-Neiges
Vernissages & expositions de peinture et de sculpture
ALTERNANCE art center, Montreal 2006
http://www.alternance-art.com/fr/?FlorianLiber
URBAN INTERVENTION in LOWER
MANHATTAN
International Conference, New York 2006
http://www.humanitiesandtechnology.org/HTA%202006%20Conference/program.html
HUMAN BODY DISMEMBERMENT, HTA New York 2006
INSTALLATION PROJECTION, VIRTUALLY DANCING
http://dezmembrare.skyrock.com/
Le grand parcours - peinture en direct/ live painting
http://www.legrandparcours.com/freepage.php?page=31
http://www.voir.ca/artsvisuels/fichespectacle.aspx?iIDSpectacle=74036&iIDRepresentation=150291
SALOME GODDESS, painting opening ALTERNANCE art
center 2006-2007
TOWARDS A NEW AESTHETICS, Prague & Amsterdam 2007
http://litteraria.ff.cuni.cz/journals/extracts/16.32_intro.pdf
GUERRIERS DU SOLEIL, art primitif - vernissage de peinture 2007, ValCamonica Italie
E-mail:
artcontemporain@fido.ca
chicmetropolitan@yahoo.com
ADDRESS:
206-3380,Édouard-Montpetit blv.
Montréal, Québec
H3T 1K5, CANADA
P: 1 (514) 731-6551
Florian LIBER
Painter, visual & new media artist
M.Sc. in Media Communication
Montreal 2004-2007
a r t c o n t e m p o r a i n
MONTREAL, MMVII